Monthly Archive for June, 2010

Universities meet in architecture – Biennale di Venezia

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For the 12th International Architecture Exhibition, People meet in architecture (August 29th – November 21st 2010), directed by Kazuyo Sejima, the Biennale di Venezia intends to broaden the platform it offers Universities and learning Institutions, by providing a special opportunity for them to programme and organize a visit to the Exhibition, that can constitute an important educational experience.

This project by the Biennale foresees the possibility of setting up specific agreements with the Universities  for accrediting groups of at least 50 students, and to transform the experience of visiting the Exhibition into university credits. The Faculties that choose to participate will be required to organize the project for their visit to the Exhibition, to be developed and discussed in a seminar (or other educational form), in a space equipped with the required technical facilities, assigned by the Biennale. More…

Submissions Open for first Volume of the Constructed Environment Journal

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We are now accepting submissions for the first volume of The International Journal of the Constructed Environment. The first submission deadline is Monday 20 August 2010.

The International Journal of the Constructed Environment publishes open broad-ranging and interdisciplinary articles on human configurations of the environment and the interactions between the constructed, social and natural environments. The journal brings together researchers, teachers and practitioners. The resulting articles weave between the empirical and the theoretical, research and its application, the ideal and the pragmatic, and spaces which are in their orientations private, public, community or commercial.

As well as papers of a traditional scholarly type, this journal invites presentations of practice—including experimental forms of documentation and exegesis which can with equal validity be interrogated through a process of peer review. This might, for instance, take the form of a series of images and plans, with explanatory notes which articulate with other, significantly similar or different and explicitly referenced places, sites or material objects.

Refereeing of submitted papers will commence shortly so start the submission process early by submitting your proposal.

Paper submission guidelines are available online.

The Surreal House by Carmody Groarke

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From Dezeen

THE SURREAL HOUSE

10 June – 12 September 2010
Barbican Art Gallery, London

The Surreal House explores the power and mystery of the house in our collective imagination. It is the first exhibition to throw light on the significance of surrealism for architecture. Bringing together over 150 works, the exhibition also reveals the profound influence surrealism has had on a host of contemporary artists, filmmakers and architects. In an ambitious installation by acclaimed architects Carmody Groarke the exhibition is designed to be experienced as an extraordinary surreal house in its own right. The Surreal House opens on 10 June 2010. More…

London Festival of Architecture

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The London Festival of Architecture will be a city-wide celebration of architecture in the capital. As London gears up for the London 2012 Olympic and Paralympic Games we look at ways that planners, architects and local communities play their part in the development of ‘The Welcoming City’. For more…

Casa Modernista da Rua Santa Cruz by Gregori Warchavchik

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From Dezeen

Casa Modernista da Rua Santa Cruz, São Paulo, Brazil

The Modernist House at Santa Cruz St., São Paulo, Brazil, designed by architect Gregori Warchavchik and built in 1928, is considered the first modernist building in Brazil. Defined as a state heritage site in 1984, it is undergoing restoration and conservation work and was reopened to public in 2008. Today receives the Museum of the City of São Paulo. More…

It’s alive! How closely can a building emulate nature?

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From Rebecca Tuhus-Dubrow at The Boston Globe

Buildings, in many ways, represent the opposite of nature. From a modest suburban house to the most majestic skyscraper, a building signals the presence of people in a place, differentiating human spaces from their surroundings. The built environment consists of organized, inert structures that contrast with the wildness, vitality, and constant change of the natural world.

Buildings clash with nature in another sense, too — constructing and occupying them takes a substantial toll on the environment. In the United States, the construction industry is responsible for much of the waste that ends up in landfills. The use of buildings — consider the lights, the elevators, the air conditioning — accounts for a healthy fraction of the country’s electricity consumption and carbon dioxide emissions.

In recent years, lower impact “green buildings” have crept up in popularity. But a new movement believes that these measures have not gone nearly far enough — that even today’s ecoconscious apartments and offices produce waste and greenhouse gases, while merely scaling back the damage. What we need to do, according to the architects and scientists driving this movement, is fundamentally rethink the concept of a building. More…

European Union Prize for Cultural Heritage / Europa Nostra Awards

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The European Union Prize for Cultural Heritage / Europa Nostra Awards were jointly launched in 2002 by the European Commission and Europa Nostra, in the framework of the Commission’s Culture Programme, to celebrate outstanding initiatives among the many facets of Europe’s cultural heritage in categories ranging from the restoration of buildings and their adaptation to new uses, to urban and rural landscape rehabilitation, archaeological site interpretations, and care for art collections. Also awarded are prizes for research, dedicated service to heritage conservation by individuals or organisations and education projects related to cultural heritage.

This Awards Scheme aims to promote high standards and high-quality skills in conservation practice, and to stimulate the trans-frontier exchanges in the area of heritage. By spreading the ‘Power of Example’, the Prize also aims to encourage further efforts and projects related to heritage throughout Europe.

Exemplary heritage achievements in Europe are awarded in the following four categories:

Category 1: CONSERVATION
Category 2: RESEARCH
Category 3: DEDICATED SERVICE by INDIVIDUALS or ORGANISATIONS
Category 4: EDUCATION, TRAINING and AWARENESS-RAISING

More…

Interior Living Unit by Andrew Kline

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From Dezeen

Michigan designer Andrew Kline has designed a compact unit for transforming disused industrial spaces into temporary homes. Called Interior Living Unit, the project comprises a kitchen, bathroom, bed and storage that all fold away into a cubic red box. When folded away the surrounding room could be used as a work space or for public functions. The cube breaks down into nine pieces for easy transportation to a new space.

The Interior Living Unit is composed of 9 pieces, sized to fit through standard doorways and be combined in the space within. Centralizing the program requirements of a home, The Unit allows the surround space to be used for other purposes, such as workspace. The Unit folds (closed) and unfolds (open) to reveal different functions when needed: a wardrobe, bed, kitchen, and bathroom. When the Unit is folded the private program requirements of a home are removed and the surrounding space can be transformed for public uses. For example: a yoga instructor could live in the same space in which he or she teaches. These Units, utilized in vacant buildings, can build communities in hollow urban areas of post industrial cities, such as Detroit. More…

Life In A Glass House

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From Rochelle Gurstein at The New Republic

There she was for the whole world to see and hear: a young woman sobbing uncontrollably, completely vulnerable, screaming at her interlocutor on a cell phone, broadcasting the most intimate particulars of her private life on a crowded street in Greenwich Village on a bright Friday afternoon. At moments such as these—and they are frequent on the streets of New York these days—I always think of Henry James’s disgust with “the devouring publicity of life, the extinction of all sense between public and private.” James wrote these words over a hundred years ago in response to a new development in journalism that he detested–”the invasion, the impudence, the shamelessness of the newspaper and the interviewer.” Today the “extinction of all sense between public and private” has gone so far that people like the woman crying on her cell phone now routinely invade their own privacy in the most casual fashion, presenting all of us who are minding our own business as we make our way through the city with the prospect that, at any moment and without our consent, we will be turned into voyeurs. More…

Cottages at Fallingwater by Patkau Architects

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From Dezeen

The Western Pennsylvania Conservancy, which preserves and maintains Fallingwater, will build the cottages on the grounds of the 5,000-acre Bear Run Nature Reserve that surrounds Fallingwater, some distance from the house itself. The design competition is the first that Fallingwater has sponsored for construction of new buildings on-site.

The new cottages will serve an important outreach goal by expanding lodging capacity for participants in Fallingwater Institute’s diverse educational programs. These unique, immersive educational offerings are tailored to broad age levels and interests – and to people from the Western Pennsylvania region and beyond.

“When Edgar Kaufmann, jr. entrusted Fallingwater to the Western Pennsylvania Conservancy, he envisioned education as a critical component of Fallingwater’s new role as a public resource. More…